A good (two) days dyeing
10 October 2018 2.jpg

This last weekend I had my two ‘Introduction to Surface Design’ groups in the studio for the 2nd session in their ‘day a month for 10 months’ program. I had introduced the groups to dyeing in the first session by having them dye an 18 part colour wheel using the ‘dye in a bag method’. I learnt this way many, many years ago during a workshop with Helen Deighan and still use it today when I want to dye small pieces of fabric.

But in the 2nd session we got into the serious stuff. Each of my lovely ladies dyed 12 x 1/2m pieces using a high immersion bucket method in a dark, medium and light version of a single colour. These pieces will be over dyed with a different colour in the next session to create a colour family of coordinated ‘nearly solid’ fabrics. They then dyed 6 x 1/2m pieces in a gradation using a low immersion technique. And finally I let them loose using multiple colours with tray dyeing and layered dyeing techniques. My goodness but they worked hard! They each dyed over 11 square metres of fabric! And so far they are delighted with the results - it gives me a warm fuzzy feeling when they share photos!

Because I teach by ‘doing’ I dyed fabric using each method each day. So Monday and Tuesday were taken up rinsing, washing and ironing a mammoth 22+ metres of fabric. And I couldn’t be happier. Not everyone likes this bit but I do …. its that sense of a slow reveal as you rinse away unused dye, as the washed fabric drys and finally as you iron it. Life is good.

7 days of bliss
 Assessing fabrics against Vestiges, a tiny Ruins piece, in the top right hand corner.

Assessing fabrics against Vestiges, a tiny Ruins piece, in the top right hand corner.

Maybe I am just easily pleased but the last 7 days have been wonderful! I set my teaching ‘stuff’ aside and have immersed myself completely in printing (and dyeing) fabrics for the next pieces in my Ruins series. I also took the opportunity to include a couple of lazy mornings and have ‘allowed’ myself to finish early in the evenings. Frankly I have been working long days in recent months to get the teaching / studio launched and needed a little holiday.

I also needed to get back to making art and this has been the kick start I needed. Lots of September sunshine helped dry breakdown screens quickly and meant that I could soda soak and dry fabrics easily. A couple of pieces still need to batch overnight, and I have a small mountain of fabric to rinse, but I am a very happy artist today. I have printed / dyed about 20 square metres of fabric. I may need to tweek the colour balance slightly but I have the basis for the Ruins pieces that I will be creating for my solo exhibition at next years Festival of Quilts.

Although breakdown printing is the back bone of the Ruins series I have always included other surface design techniques. My work can be quite incestuous - I take photos of breakdown screens and breakdown printed fabrics and use them to create thermofax screens which then get used to print more Ruins fabrics. Love it!

I need to get back to teaching ‘stuff’ and a building project next week but I’ll be leaving all my new fabrics pinned up on my design wall to inspire me!

30 Sept 2018 4.jpg
30 Sept 2018 2.jpg
Back to work Leah!
RUINS 9 Detail.jpg

My focus for the last 5 months has been on teaching - developing workshops, refitting my studio and, finally and wonderfully, greeting my first groups of students. But I was an artist before I was a teacher and now I need to get back to making art.

Fortunately for me I have a great big carrot - a solo exhibition at next years Festival of Quilts. Installation will be on the 31st July. Which is 314 days away. Only 314 days away. Oh heck.

The exhibition will be titled Deconstructed and will be a continuation of my obsession with breakdown printing (also known as deconstructed printing) and industrial heritage. When I put together the proposal about a year ago I knew exactly what I wanted to do with one half of the exhibition - new pieces in my Ruins series that will reference the cotton industry once so important to Manchester (where I live). But I was, and still am, a bit more fuzzy about the other half. I haven't has much time since then to work on my ideas. That needs to change.

Over the next few weeks I will printing a whole bunch of 'ruins' fabrics. I'm hoping that this will ease me back into artist mode. 314 days and counting! oh heck!

Simply Screen Printing
 Hilary Kimber: open screen over a string resist

Hilary Kimber: open screen over a string resist

I ran my first two day screen printing workshop this last weekend and loved every minute of it. With only two days it was difficult to know what to include. I started with a focus on using temporary resists that are readily available and relatively cheap; masking tape, freezer paper and sticky back plastic. You could probably spend two days just on masking tape resists but I wanted the students to go away with a sense of the range of options open to them. Their work was wonderfully varied.

 Judy Tomlinson: masking tape resist pulled through with three values of turquoise and yellow giving some lovely greens

Judy Tomlinson: masking tape resist pulled through with three values of turquoise and yellow giving some lovely greens

 Jean Martin and Judy Tomlinson: masking tape resist pieces

Jean Martin and Judy Tomlinson: masking tape resist pieces

We moved on to breakdown printing - where the thickened dye / print paste that is dried on the screen acts as a temporary resist. The weather wasn’t kind but the screens just about dried over night. I loved hearing the students ohhs and ahhs and can’t wait until next May when I teach my 5 day Breakdown Your Palette class.

We looked at different ways of using an open screen - on pinned out fabric, on scrumpled fabric and, with wonderful results, onto fabric with string on the surface. Love Hilary’s piece! And somehow we found time to play with thermofax screens.

It gave me a warm fuzzy feeling seeing the groups confidence grow in the two days! I am so glad that I took that big step into teaching. The next two day class in February is already full but there are still places on the workshop in 27th and 28th April 2019. Can’t wait.

 Anita Bennett: using thermofax screens to create texture

Anita Bennett: using thermofax screens to create texture

 Maggie Pearson: repeated layering of a thermofax screen

Maggie Pearson: repeated layering of a thermofax screen

Ticking off those boxes!
11 September 2018 2.jpg

Phew, I have survived my first time demonstrating screen printing with thickened dyes on my stand, and my first 90 minute workshop using textile inks. All without a handy sink. And I managed to get through my first ever radio interview without stumbling. It was live so I was rather nervous but thankfully it only last a few minutes!

The three days at The Creative Craft Show at Event City, Manchester whizzed by. I meet some lovely people and really enjoyed talking to them about screen printing and particularly about my favourite technique - breakdown printing. It is so much easier to explain when you have the screens with you! It is always going to be difficult to measure how successful a show has been when you are there promoting workshops but I’m very pleased to have sold the remaining places on my Simply Screen Printing workshop on 16th and 17th February 2019. There was lots of interest in this workshop so I have added extra dates - it will also run on 27th and 28th April 2019 - details can be found here.

Some people would have taken a day off after a show. But not me. Instead I had a brilliant day in the studio with my second group of Introduction to Surface Design students. We talked about colour, we dyed 18 fat quarters and we made colour blankets. And we chatted, drank brews and eat biscuits. There aren’t many better ways to spend a Sunday!

11 September 2018 1.jpg


The Creative Craft Show, Manchester and Workshops for Groups
Colourful Cityscapes website.jpg

It is a busy week at Urban Studio North. On Sunday I welcomed my first students into the studio for the first session of my Introduction to Surface Design course. I was so nervous that I woke before dawn and was absolutely buzzing by the time they arrived - it was just as much fun as I had hoped it would be! The students were lovely and they dyed some great cloth.

Tomorrow through Saturday I will be at The Creative Craft Show in Manchester. As well as demonstrating on my stand I will be giving a 90 minute workshop each day called Colourful Cityscapes.  With limited space and no access to sinks it has been a real challenge to develop a print based workshop but I hope the students enjoy using textile inks and acrylic shapes to print cloth which they can take home and make into a small wall hanging. I confess to being a little apprehensive - the quick turnaround between workshops is a little daunting. Fingers crossed!

And, in preparation for the show I have at long last put together some workshops that I can take out to groups. Busy, busy, busy!

Time to Play

Not too long ago I had a full time job that involved long days and frequent trips away from home. My art had to fit around the job and, of course around my family. I averaged 18 - 19 hours per week in my studio but in order to achieve what I wanted to achieve in that time I had to be very, very focused. I worked hard to eliminate 'distractions' and very rarely allowed myself to play with techniques or materials that didn't fit in with the different series of quilts I was working on at the time.  

That level of focus allowed me to achieve so much and helped me to develop a way of working that was uniquely me. But now that I am a full time artist and teacher things are very different - I can spend 40-45 hours a week in the studio and still have time to sit in the garden reading or watch a movie in the evenings! Needless to say, my family has had to 'adjust' to seeing so much of me. And although I have been super busy these last few months preparing classes and getting the studio ready for students I can now allow myself time to play. 

This week I have been playing with Indigo dyeing. Whilst I really like the way Indigo is used by Mags Ramsay and by Elisabeth Barton it is not a technique I have ever incorporated in my work. But I have included it in my Colour Your Palette 5 day retreat as an alternative to Procion dyeing so thought I better spend some time exploring it further. I spent a couple of quiet evenings preparing samples then, on Thursday, went to visit my good friend Ruth Brown where we prepared the Indigo vat and dyed the samples. Ruth is a great teacher and was very relaxed when I splattered her beautiful new studio - Indigo dyeing is rather messy! The results I got were mixed. Some pieces worked well, others didn't. I found that Indigo doesn't penetrate as well as Procion when using clamp resist or when winding cloth tightly around a pole, probably because you can't agitate your dye bath to help the dye penetrate. I'll adjust for that next time. I also found that a piece of Procion dyed Magenta cloth partially discharged in the vat as well as dyeing. This definitely needs further experimentation. More play time!

And not forgetting - Colour Your Palette
resist dye.jpg

Not everybody loves breakdown printing or wants to use screen printing to create their cloth. And so I have developed a second five day retreat, Colour Your Palette, that is focused on the addition of colour through dyeing, resist dyeing and the removal of colour using different discharge processes. Although most of the fabrics I have used in my work in recent years are breakdown printed I do include complimentary fabrics that have gone through dyeing and discharge processes. For me it is important to have a broad range of techniques at my finger tips so that I can select the technique that will give me the affect that I am looking for. 

The aim of this five day course is to create a palette of coordinated plain and patterned fabrics based on your own source of inspiration.  Students will be encouraged to create beautiful complex cloth by putting pieces through multiple processes. Where appropriate we may use other surface design techniques such as thermofax printing to add detail to our cloth.

And, because I love colour, this course will be driven by colour - understanding how to mix simple and complex colours from primaries and working with a restricted set of colours or a colour family to create pieces of fabric that work together. We will exploit the transparency of Procion dyes by blending colour directly on the cloth as we put fabric through multiple processes. 

There are other ways to add colour to cloth that give lovely effects. We will look at two alternatives during the five days - indigo dyeing and rust-like dyeing using Ferrous Sulphate - and how they can be combined with Procion dyeing. It will be a full-on, fun packed week. The studio will be a riot of colour and I can't wait!

DSC_0244.jpg
Breakdown Your Palette
20170617_110801.jpg

My new five day retreat Breakdown Your Palette is the course that I have been so wanting to teach! Those who read my blog or follow me on Facebook and Instagram will know that I love, love, love breakdown printing. It has formed the basis of my art for the last three or four years and will continue to do so. I love the serendipity of the printing process - I get marks that I could not get through any other method. I love the fact that every print I make is different. And I love the fact that, having spent 100's of hours making and printing screens, I have learnt new ways of creating breakdown screens; I have learnt to manipulate colour value and scale to influence the results I get and I have learnt to adjust my process to print whatever the weather conditions. Have a look at my earlier blog post here if you don't know what breakdown printing is. It is a simple process that can create complex, beautiful whole cloth that can used for clothing or as a background to stitch or it can be used to create a palette of cloth that can be cut and pieced. 

Ruins 8 DETAIL 1 2000 pixel high.jpg

When I decided to start teaching I was cautious and only developed workshops for weekends, leaving week days for a 'proper' job. Which is a problem for teaching breakdown printing as the process involves letting your screens dry. Not an issue on a sunny day when screens will dry in a few hours outdoors. But very limiting on days when it isn't sunny. However having made the BIG decision to become a full time artist and teacher I have been able to develop a 5 day Breakdown Printing extravaganza! 

I have combined a deep dive into breakdown with my second love - colour. Understanding colour and using colour selectively is the key to creating a set of printed fabrics that work together. The course also covers using discharge paste to breakdown print which is such a useful process - it can be used to create complex layers of colour and texture and is a great tool for turning ugly ducklings into beautiful swans. And yes, I do still produce ugly ducklings occasionally!

I started promoting the course at Festival of Quilts and had an amazing response. And I got to talk about breakdown for hours!! The two courses I have scheduled are now live and can be booked via my website along with my other workshops. There is only 1 place left on the 20th to 24th May 2019 course but I have more spaces on the 17th to 21st June course. I can't wait to teach this one - it is going to be so much fun.!

17 May 2015 8.jpg