Although nothing can be certain it looks likely that recreational and leisure businesses, such as Urban Studio North, will be allowed to open up in July provided we comply with strict hygiene and social distancing rules. There are no longer restrictions on lengths of journey in England and local hotels are planning to open from 4th July.

In light of this, and after a great deal of thought, I am currently planning to start running workshops again from 20th July onwards. None of us know when life will return to the old normal. Instead we all need to adjust to a new normal. So, to ensure compliance with social distancing, and to reduce demand on shared facilities such as the bathroom and sinks, I will be restricting class size to a maximum of 4 students for the rest of 2020.  I have already contacted the students affected by this change. I am making lots of other changes in the studio and in how I run the workshops. I have written a detailed COVID-19 UPDATE which I urge students, and prospective students to read. This is, of course, all subject to change should government advice change in the coming weeks and months.

I have had to cancel and reschedule lots of workshops over the last few weeks and months which has meant slotting some additional workshops into 2020. I am continuing to take bookings for workshops this year and have the following spaces left:

Breakdown Your Palette, 7th to 11th September - 1 place left on this 5 day dive into breakdown printing - find out more here.

Introduction to Surface Design, a day a month for 10 months starting on Saturday 26th September - 3 places left. Aimed at absolute beginners and covering a really broad range of surface design techniques. Ideal if you live locally to Manchester, you can find out more here.

Books for Textile Artists with Ruth Brown on 10th to 13th October - 2 places left. Because of the class size we are running two workshops back to back. The original dates are full but there are two places available on the workshop running from Saturday 10th to Tuesday 13th October. Ruth is a great teacher and with a limit of 4 students per class you’ll get lots of her time. You can find out more here.

Simply Screen Printing, 7th and 8th November - 1 place left on this two day introduction to screen printing. You can find out more here.

Print, Stitch, Go!, 9th to 13th November - 1 place left. We spend the first half of this workshop screen printing and dyeing fabric and the second half using that fabric - yes, I will make you cut into your lovely printed and dyed fabrics! Aimed at people who have never printed or dyed fabric before this is a really fun five days. You can read more here.

Although I’m a little nervous about opening up again I am really, really looking forward to teaching again. The studio has been too quiet for too long!

My lovely husband is coming home this week after 12 weeks or so shielding with his dad. This feels like such a big step forward for us and we have all our fingers and toes crossed that the situation in the UK continues to improve. Every country has different levels of restrictions right now but I hope that many of you are now able to spend a little more time with family and friends.

Stay well, Leah

Overprinting a piece of breakdown printed fabric using a screen with a soy wax resist (Susan)

My 2020 teaching schedule got off to a flying start over the last two weekends with days with my Introduction to Surface Design and my Creative Surface Design students. On paper these is a difference between the two workshops. Introduction to Surface Design is technique focused and aimed at people with no or little knowledge of dyeing, printing and other ‘wet’ processes. Creative Surface Design is more design focused and is aimed at people who have some experience in a range of surface design techniques but are struggling to know how to apply those techniques to create their own unique pieces. But, of course, there is lots of overlap and I often find myself adapting each days workshop in response to individual needs. Quickly pulling together a demonstration that I wasn’t planning on or having a discussion on a specific element of design or the design process before I had planned. The lesson plan gets thrown out of the window some days but I love it!. I’ve never responded well to being taught in an regimented environment where I’m told to do A followed by B followed by C when I found B absolutely fascinating and wanted to see what happened if I added a bit of Z. So why would I want to teach like that? Thankfully my students seem to enjoy the deviations!

Top two images - paper lamination (Amanda and Sue). Middle two images - using interfacing stencils (Amanda and Pat). Bottom two images - using thermofax screens on top of previously printed fabrics (Michelle and Pat).

Brushing bleach over hand dyed fabric with soy wax and masking tape resists (Tracey)

Soy wax screen used to overprint pre-dyed fabric (Margarita)

Well maybe not quite as busy as 2019! A full teaching schedule, writing and publishing my first book, an absolutely amazing solo gallery at Festival of Quilts and unexpected drama on the home front meant 2019 was a bit of a roller-coaster ride. No wonder that I have spent a lot of the Christmas break sleeping!

However I did get into the studio most days even if only for an hour or two and spent my time working on the first two full pieces in my new series. I have given the series a working title of ‘Democracy’. I could have called the series Brexit but I want to make pieces that express my broader concerns about politics, the proliferation of lies and fake news and the way our political leadership is changing. And although the individual quilts may reference events in the UK I hope they will resonated with people in other countries. Despite the rather gloomy subject matter I am thoroughly enjoying working on a series. And, as per usual, I am spending lots of time machine stitching straight lines!

But the holidays are over and it is back to work for me. 2020 got off to a flying start - yesterday I gave a talk to the Manchester Branch of the Embroiderer’s Guild. This was the first of 8 talks I’ll be giving this year and the first of 4 that I’ll be giving to branches of the Embroiderer’s Guild. I arrived with a car boot full of quilts including some of the pieces I’ve exhibited in recent years. And, as you will already know, most of my pieces are big. Really big. Which means that some are quite heavy. So a big thank you to the ladies and gentleman who volunteered to hold them up! The difference in scale between my work and some of the pieces being worked on in the room could not be greater.

I also took along some older quilts and some sketchbooks from the City & Guild’s Diploma I did with the lovely and talented Linda Kemshall many years ago. Whilst doing my diploma I figured out that if you work onto separate sheets rather than directly into a sketchbook you can choose what you share. And you can back engineer a lovely looking sketchbook after you have finished making a quilt. OK, so I learnt that you could cheat. But much, much more importantly I learnt that I didn’t need to work into sketchbooks to produce art. It might not have been the intention of the course but this learning was an big step forward for me.

As well as talks I have a full teaching schedule this year. Most of my classes for the first half of the year are sold out but I still have odd places on my Simply Screen Printing workshop and my Print Your Palette workshop. I will also be welcoming my first three guest tutors into the studio. The workshops with Alice Fox and Christine Chester are sold out but there is still one place left on Ruth Browns Books for Textile Artists.

I will be demonstrating at The Creative Craft shows in Glasgow and Birmingham in March and will have a stand at this summers Festival of Quilts. And I am delighted to have a gallery at the West Country Quilt and Textile Show in August. Phew! There was me thinking it wouldn’t be as busy as 2019!

A couple of weeks ago I taught my Print, Stitch, Go! workshop for the first time. I was rather nervous. The first half of the workshop was spent printing and dyeing fabrics but the second half was all about using those fabrics. Printing, dyeing, splashing about lots of colour is my comfort zone so no problems there. But my approach to using my own printed and dyed fabrics is to keep it simple and let the fabric do the talking. Which is my way of admitting that I just use squares, rectangles and simple strips. I couldn’t get points to match in a mariners compass in a month of Sundays!

Thankfully my lovely students embraced squares, rectangles and simple strips! Phew!

The workshop went really well. The first two days were busy and hectic with printed fabric hanging everywhere. Wednesday was change over day when we washed and ironed our fabrics, converted the studio from a ‘wet’ to a ‘dry’ space and started to decide how to use our fabrics. And the last two days were just lovely. Calmer, but just as filled with colour. Lots of mutual support. Lots of ohhs and ahhs. Great company, amazing work - thank you Barbara, Bernice, Michelle, Sally and Sue.

So here is some eye candy …..

From left: Bernice Hopper, Michelle Barnard and Sally Taylor

From top: Barbara Logan, Sue Morgan and Bernice Hopper

It’s been nearly two weeks since Festival of Quilts and life is getting back to normal. I’ve taken the opportunity to have some time off, to have a bit of a sort out in the studio, but also to sit back and consider ‘what next?’

What is actually next is the Introduction to Surface Design group that has their last day in the studio tomorrow so I’ve been busy cleaning and preparing. It will be sad to say goodbye to them but we’ll be celebrating all that they have achieved with lots of cake!

Quite a lot of ‘what next?’ is on a list of ‘workshop prep’ to work through ready for my workshops and other events this autumn. I’ve been neglecting this a little over the last couple of month and it feels good to start ticking some boxes!

In a couple of weeks time I will be demonstrating and giving workshops at the Creative Craft Show at Event City, Manchester. I’ve been working through the big pile of printed and dyed fabric that I have created whilst demonstrating in the studio and at shows over the last year and have started to make up packs to sell. Initially at the show but maybe online as well.

I’ve also taken the time to develop a new mini-workshop for the Creative Craft Show at the NEC at the end of October. Still needs fine tuning but will involve printing both sides of a tote bag using textile inks.

Over the next couple of weeks I’ll be finishing my preparations for the Contemporary Quilt Summer School where I’m teaching a colour class. Preparation mostly involves figuring out how we can dye fabric and print fabric in a room without sinks! I do like a challenge. And I have things I want to do ahead of my first Creative Surface Design class which begins in September.

But beyond my ‘to-do’ list I’ve also been thinking about how I want the ‘business’ side of me to develop. This is the bit that includes the studio, teaching and writing. I’m striving to keep this from swamping the ‘artist’ side of me but, at the same time, it is the bit that pays the bills. This last year has been so hectic that I know that I need to slow down a little so my plans need to be longer term. And to maybe involve a series of smaller projects rather than the stupidly ambitious challenges I set myself recently. I’m thinking of developing a small online shop that sells some of the dyes, screens and fabrics that I already sell in my studio. But this needs a lot of thought before I jump into it as it probably involves a major revamp of my website. So watch this space.

I’ve also been thinking about ‘what next?’ for me as an artist … but I’ll talk about that next time!

Fabulous quilt by Pat Wills

My next Breakdown Your Palette workshop starts tomorrow morning and I’m just about ready. My first Breakdown class was three weeks ago and it was glorious! Since then …. well I’ve been super busy trying to get art made for my exhibition at Festival of Quilts as well as teaching my Introduction to Surface Design classes. I have three groups of students each at different stages of the 1 day a month for 10 months programme. So over the last two weekends I have taught one group paper lamination, one group mono-printing and one group had their second session on screen printing. Lots of preparation, lots of swapping around samples on my design wall and lots of getting things out and putting things away. Because I’ve found that I have to clean up completely from a class before I feel comfortable working on my art.

I did get a special fuzzy feeling when one of my students, Pat, brought a quilt she has made from the first piece of fabric she screen printed in class. Based on rock strata and fault lines it references all the places Pat has lived that have been affected by seismic activity. Fabulous!

The studio looks like an oasis of calm right now but it has got awfully messy in between teaching days. The weather has been dreadful so I’ve been drying soda soaked fabric on two lines strung across the studio whilst constructing and quilting a rather large quilt. Lots of walking the long way around tables and benches to avoid getting soda on everything. This has made me rather twitchy. Lets hope for better weather!

2018 was an interesting year. Interesting is one word for it. Unexpected, eventful, scary, wonderful would all be other good words. But I think I will settle for life-changing.

I’ve just read my post from 31st December 2017. I was pleased that I had spent more hours in the studio in 2017 than in 2016 and produced more work. I was busy working on pieces for the two exhibitions I had with Helen Conway in spring 2018. And I was planning to enter more calls for entry in 2018 and to find further exhibition opportunities. On the family front we were all still reeling from my mother-in-laws illness and passing but hoped for a quieter, healthier, less sad 2018. I was out of work but fully expecting to be back wearing my corporate hat within a few months. Life was on track.

Turns out that life wanted me to take a different track.

It proved difficult to find the right job and with an unexpected increase in my caring responsibilities at home I eventually realised that the life I thought I was going to have, balancing a demanding day job, caring for my family and making art was unsustainable and would probably make me miserable trying. I needed a Plan B. A plan that better fitted my family and that allowed me to continue to make art.

Teaching surface design was something I had planned to do a bit of in my sixties as I creaked towards retirement. I had given the occasional workshop to different textile groups and always loved it. And it was something I always intended to use my studio for. But would people want to learn from me? Could it pay the mortgage?

So I did my research, crunched some numbers, talked with friends who were teachers and friends who might be potential students, talked with my family ….. and made a big decision.

A seriously big decision to become a full time artist and teacher. And because I am ‘me’ I have given it my all. The studio has been named, Urban Studio North, reorganised and a rather splendid bathroom has been built. Courses have been developed and guest tutors booked. I’ve had stands at shows, demonstrated and given short workshops. And best of all I have taught some absolutely brilliant students and loved every minute of it!

2018 was a year of ‘firsts’. Full of change and full of new challenges. But there is so much more that I plan to do in 2019! So many more challenges to face, so many more ‘firsts’. …… Happy New Year!

The presents are wrapped. The cards have been posted. The tree is decorated. The fridge is overflowing. And the house is clean. Well, as clean as it’s likely to get. Hooray!

Time to get back to the studio and more breakdown printing! I’m keeping it seasonal. The above print was made by embedding crumpled Christmas wrapping paper in thickened dye on a screen and letting the screen dry under a stack of books. Well you didn’t expect me to use a traditional Christmas photo did you?

That said, I would like to wish everyone who reads my blog or follows me on Facebook / Instagram a very Happy Christmas and Peaceful New Year. And I would especially like to say thank you to my lovely students - 2018 has been a year of firsts and your support has meant a great deal to me.

Love and best wishes,

Leah

Work by Lynda Edwards

This last weekend the eleven students in my Introduction to Surface Design groups printed some absolutely fabulous pieces of fabric. It was a real pleasure to watch them work and witness the occasional happy dance. The sessions were on using screen printing, thermofax screens, masking tape, string and paper resists to create backgrounds. They all watched me give the same demonstrations and had access to the same tools but each produced truly unique work. Brilliant!

Work above by Sue Wharburton, Maggie Pearson, Debs Nixon and Lynda Edwards. And below - breakdown screens ready to be pulled during next months sessions.